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Dead Winter Dead : ウィキペディア英語版
Dead Winter Dead

''Dead Winter Dead'' is a concept album by Savatage, released in 1995 dealing with a Serb boy and a Muslim girl who fall in love. The story of the album also focused on the Bosnian War, which was ongoing at the time.〔(【引用サイトリンク】 Savatage FAQ, Section 2 - The Albums, Part 2 )
This album featured the return of Chris Caffery, who featured on Savatage's 1989 release ''Gutter Ballet''. Alex Skolnick, who had played guitars on Savatage's previous album ''Handful of Rain'', opted not to stay around for the next album in order to concentrate on his solo band. Singer Jon Oliva took drummer Jeff Plate from the ''Handful of Rain'' tour, and brought in his old friend, former member and Doctor Butcher member to join the band. Atlantic Records also felt that the band needed a second, more well-known guitarist to complete the line-up. Al Pitrelli, formerly a member of Alice Cooper's touring band, became the lead guitarist for the band.〔
This record gave the band an unexpected radio hit in "Christmas Eve (Sarajevo 12/24)", and the band decided they wanted to explore this kind of music in a different way. Around this time, Paul O'Neill, along with Robert Kinkel, was interested in starting up what became the Trans-Siberian Orchestra. It was later re-released by TSO as "Christmas Eve/Sarajevo 12/24" on their first release, ''Christmas Eve and Other Stories''.
The track "Mozart and Madness" quotes directly from the opening theme of Mozart's Symphony No. 25, whilst "Memory" quotes directly from Ludwig van Beethoven's interpretation of "Ode to Joy"
==Reception==
''Sea of Tranquility'' reviewer Murat Batmaz praised the album, defining it as follows: "This was Savatage's second concept album after their undisputed masterpiece Streets. However, the tone and message of Dead Winter Dead is more universally structured, and the flow of the story is more focused and defined. There really aren't many concept albums this good around." He also added: "Previously experimented on "Chance", the band makes use of strong counterpoint vocal harmonies on two songs: their first single "One Child" and closing track "Not What You See", ultimately moving because of its intense harmonizing and tapping into multiple emotions. As different melodies, words, and ideas all flow together simultaneously where it comes to the point you can't discern each line individually, one particular verse stands out: Zak's repeated "I don't understand" croon. It is incredibly beautiful and cements Savatage as one of the greatest bands with some of the most haunting album finales ever."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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